Photographer, since 2005. Lives and works between Europe and Africa. Baptiste de Ville d’Avray’s photography is orientated towards a cinematographic, latent and contemplative vision of the landscape and portraiture. Since 2009, he has been working on a project based on the transformations of Mediterranean landscapes, particularly in Morocco. His images seek to construct mini photographic fictions based on a real territory that becomes a character in its own right and on anodyne moments from daily life, by flirting with the boundaries of documentary photography and poetry. They express the contradiction between a perpetual movement and the immobility of bodies, thus presenting an X-ray view of the inner workings of a country and its inhabitants.
So far away, yet so close - Morocco (2009-2016)
The project “So far away, yet so close” brings together 7 years of exploration on a real territory, during a boom in urban development – a place that is resolutely contemporary and yet photographed in a timeless manner. Baptiste de Ville d’Avray originally approached Morocco during regular short visits. He was soon attracted by its unique Atlantic atmosphere and its coastline spanning thousands of kilometres, between the Algerian and Mauritanian borders. This country became a character in its own right within Baptiste de Ville d’Avray’s world. He was to revisit and chisel away at this material, honing a land that springs from his imagination. He thus transforms slices of life and atmospheres into stories with his camera. The lighting is always soft. The characters are like silent actors, appearing to perform in a set invented by and for the photographer.